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Art is my currency and I still love and am curious of everything about painting except the toxic side effects from prolonged exposure. For that series, I was more interested in the role of the performer and exploring notions of performance in both and everyday and theatrical dimension, whether it is real or faked. It's been a few years now since my print came out and I've watched it adapted countlessly and trickle from high end to fast fashion, but I still get a thrill and chuckle when I see people wearing my ultimately witchy and druggy flora pattern. My work celebrates this underlying sense of tension and sadness and the desire to be distracted or to distract, but with bits of humor and sensuality, because who wants to be a complete downer.

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In one of the mood boards, I saw a beautiful picture of a young Marianne Faithfull from the s and her "Witches Song" started playing in my head — this sparked my initial ideas for my Flora print. I often use theatre as a way to examine what's actuality from what is merely staged and what happens when these lines are blurred. You seem to stay incredibly busy. you're constantly showing in solo and group exhibits. When I photograph them for my work I usually use the still right after I say that "we got the picture" — this is when guards are let down and minds wander. His self-proclaimed shyness often slows the necessary process of cultivating trust between subject and artist. I know that I like quiet paintings. I like having the audience lean in, as opposed to yelling at them. Are there any upcoming exhibits or projects you'd like to mention.

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When they approached me to reimagine their iconic Flora print I was very much overwhelmed but wanted to create something that was narrative and still very much about my practice. I often paint the character of the Harlequin because he is the comedian whose job it is to entertain and make us laugh — the buffoon who can get away with throwing thinly veiled truths about the powerful and the audience itself because we are too afraid to. I've always rooted for the underdog and the heroine, and chose to dedicate my floral print to plants that have significant historical importance but rarely get celebrated in the daylight. Subscribe to Get More. I've read that some are your friends, but sometimes you'll paint someone you think is your own creation, only to later realize you've encountered them a handful of times in your daily life. The majority of my characters are based on real people, mostly friends or acquaintances, but sometimes collaged references culled from historical photographs, fashion, porn, mug shots, self-portraits, as well as my imagination.

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Description: KKW posed naked in a series of photos for the fragrance, which is inspired by her own famous figure, and needless to say, we all had a lot of questions. Fashion school was going to be my plan B if I didn't get into art school because I've always been a magpie for color, textiles and patterns. It's the slip or comedown from an accomplished feat or a praised task. I've always been a quiet and shy person who prefers to look rather than be seen, so I am envious of those who can get up on stage and command an audience. It's the balancing act of presentation — we rarely show our backstage because it makes us uncomfortable and [it's] uncomfortable for our audience. In the dynamic between subject and artist, we expect it's the person being painted, photographed, or rendered in some other medium who might be timid or nervous, and the person capturing them is confidently in control.
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